10 September 2010
Chris Marriott on how to make savings in local authority
leisure and arts management
The recently announced budget cuts for local authorities
have been brutal: savings of anything between 25% and 40% will need
to be delivered over the next four years.
Councils have for some time been working out what they can cut,
how much they can save, and when they can do it. All services will
come under intense scrutiny and all are likely to suffer, some more
acutely than others.
So, what is the future of ‘leisure and arts’, as a non-statutory
service? Some councils may be tempted - as they are free to do at
their discretion – to close their leisure centres and theatres and
sack staff. Closing the doors is a very efficient way of making
savings, but the problem is, whilst councils do not have to provide
leisure and arts services at all, they do represent some of their
most visible activities and are integral to the delivery of a far
wider social and economic agenda.
So what is the alternative to closing facilities? Well, for
those councils who are operating their facilities directly, the
simple answer is to get someone else to do it for you, under
contract. About 65% of leisure centres in England are still
operated in-house, whereby the council takes responsibility for the
delivery of the service and takes on all the risk. The other 35% is
run by a mature stable of specialist private contractors (Leisure
Connection, DC Leisure, Parkwood, SLM, Serco) and trusts (Fusion,
Greenwich Leisure, Active Nation, SIV).
Councils tend to find it cheaper to contract with a partner rather than deliver the service themselves. This is for a number of reasons, including more commercially astute management...
Leisure operators typically charge the council a management fee
in return for taking on the financial risk of operating the
facilities. Councils tend to find it cheaper to contract with a
partner rather than deliver the service themselves. This is for a
number of reasons, including more commercially astute management,
better marketing and programming and faster decision making,
leading to higher sales and lower costs. Also, trusts
(although not private operators) benefit from business rate relief
and tax benefits which they can pass on to the Council via a
reduced management fee.
On the cost side, cynics might question whether these
contractors will reduce the staffing base, but the truth is council
employees are transferred across as part of the contract and their
terms and conditions will be protected under the Transfer of
Undertakings Protection of Employment (TUPE) Regulations. That’s
not to say that over the course of a contract (which will typically
be around 10 years) they will not be banking on making savings
through improving the productivity of their workforce – savings
that they will pass on to the council in the form of a lower
management fee.
Given that staffing typically represents the single biggest cost
(around 75% of the total) it warrants some consideration here. We
have undertaken a number of reviews of local authority leisure
operations over the past few years. Compared to trust and privately
operated facilities staffing costs – almost without exception -
proved to be significantly higher, due to a combination of better
pay.
Proponents of in-house delivery will argue
that councils are generally more in tune with the needs of their
community and are better at delivering sports and arts development
programmes. This may well be true and there are some councils we
know who do it extremely well. However, leisure officers will have
a difficult job convincing their chiefs that this is important in
the current climate and whether they are indeed any better at doing
it than a third party contractor. And then they will have to make a
convincing case to continue funding it.
The bigger scale opportunities tend to be more aggressively pursued by operators and can help drive a keener price, whilst the councils can share the burden of the procurement costs.
Even if they can put forward a compelling case
for retaining their sports and arts development service in-house,
the business of managing the facility is a separate issue. Councils
will find a very competitive market out there and contracts are
likely to be keenly priced. The fact that all councils who
currently manage their leisure and arts facilities in-house will be
reviewing their options at the same time is positive; there will be
opportunities for like-minded neighbouring councils to club
together and jointly offer a larger portfolio of facilities to the
market (e.g. Guildford and Woking). The bigger scale opportunities
tend to be more aggressively pursued by operators and can help
drive a keener price, whilst the councils can share the burden of
the procurement costs.
So, in the face of swinging cuts and competing
budgetary priorities local authorities will need to demonstrate a
sound business case for continuing to operate their services
in-house. In fact, from now on, the onus is likely to be on why
councils should
not outsource
their service.
Chris Marriott
is Principal Consultant with Capita Symonds.